We are a group of jewelry artists working in various mediums who have chosen different topics to write on as a group.This event takes place about the same time each month. Why not visit the other artists listed below the following blog.
Today's post is on the subject: Which mis-use of a jewelry term most annoys you?
In metal clay it is the term 'Leather Hard'... Hmm? When I think of leather hard I think of supple suede or a fine calfskin jacket or maybe a pigskin purse. I don't think of it as dry. Up until I later learned that it meant bone dry I had always felt that the clay needed some moisture in it to work at the 'leather hard' stage. I am a classically trained goldsmith and the leather hard meant nothing to me. Also, I worked with ceramic clays years ago and felt that greenware was a better term: Dry but not fired. We don't fire leather.
In jewelry sales the term 'Semi Precious' can drive me up a wall. When I was taking gemstone workshops at the Revere Academy of Jewelry Arts, in San Francisco, the instructor/appraiser made one simple statement that said it all. She said, "If a fine Paraiba tourmaline costs two to three times as a comparably sized diamond, how can one call it semi-precious?" It really is relative to the value of the stone not the beauty. I have seen amazing peridots that were finer looking than, say, a sapphire. Please, do NOT use the term semi-precious in my presence.
Really. Don't.
In polymer clay it is the term 'Faux'. A lot of the artists say, faux ivory, faux turquoises. It gives the buyer the impression that the jewelry has a 'lesser value' because 'it isn't real'. How about polymer coral or polymer lapis lazuli. It says the artist was able to create the look of of fine jade ... and what an amazing talent that is.
See what these other talented jewelry artists have to say on this subject.
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