Jewel Carnival again! The path to my art!

Well, I do apologize for being late with my blog. We are hosting, at our home, a part of the El Dorado County's Annual Artist's Studio Tour. As I mentioned in a previous blog, there is a painter a potter and me. It started yesterday from 10 am to 5 pm and then I was featured at a Placerville gallery from 5pm to 9pm.

Whew!

Does everyone start their path by drawing on rubber sheets as a toddler .... or on the walls with crayons? Well, if so, I am very typical. My dad must have leaned over my crib to give me a kiss and his ball point pen, prophetically, fell out of his pocket into my world. This may sound silly, but do some drawing on a piece of rubber... It is glorious. The ink just flows so smoothly, the images hint of a future Picasso.... only kidding. THAT was my start.

My mother played with ceramics when I was a bitty bit. And she let me play with some too. She let me glaze the work between the firing process... This image is of the only artwork I have from my childhood. I kinda threw everything else away. I like it because there was no religion in our family... parents were from extreme opposites. They opted for my sis and I to choose for ourselves. Where the praying priest came from I do not know. I do know that I did this when I could barely write... maybe second grade. I signed it:

Lorre
ne

I do like his smile and tiny feet... I guess I didn't know what to do with the toes... heh, heh.

Mom urged my visual and theatrical art all through school. I drew a woman, with a cigarette in her hand in second or third grade... she was quite glamorous.... teacher made me scratch the cigarette out. My medium at that time was crayons. My mother chewed out the teacher for changing my interpretation of what I saw in the world.

You Go Mom!!!!!!!!!!!! Thanks...

From then on it was high school art then college. I was a drama major and an art minor. Didn't finish because I didn't want to struggle nor did I want to teach. Well what am I doing Now? Teaching. Too funny. But, hey! I do get to be the star of the classroom now, don't I?
No comment.

Mom.... my sweet one. She loved fabulous jewelry and she instilled a love of it for me. I worked in my dads machine shop in my early 20's: lathe work, arc welding and that gave me an appreciation of working with the ferrous metals.... Then of course was the jewelry class in college.

After marriage my husband and I got very involved with the metaphysical movement in the '80s and I started wrapping crystals and then soldering sterling and silver with a creme brulee torch. That led to my going back to school, Revere Academy, in 1988 and that let to us using my goldsmithing talents by our opening a gallery of jewelry and fine art, and that led to classes in polymer and metal clay in our gallery studio.

Whew! Again!

Since 2000, I have been wholly involved with my two media: Polymer and metal clay. During the eleven years we had the gallery I totally burned out of metalsmithing. When you have everyone telling you what stones to set, what metal to use and hurry, hurry I need it yesterday... well the passion for goldsmithing left. But the creativity and designing was still there.

Now I love making fused glass too. The colors I can add with the glass and enamelling and the entire world of being a maker of what I want to do.... whether it sells or not... I do not care.

And during this period of creativity I have performed in many dramas, comedies, musicals and have directed one mystery, one comedy, one dramedy and one musical.

As the cast sings in "Candide", I have the best of all possible, possible worlds...".

Images: Metal clay and fused glass...... polymer cane I designed and diamond.

Do visit these wonderful artist's below and see what they have written about during their "path to their art".

Lora Hart
Elaine Luther
Angela Baduel-Crispin
Marco Fleseri
Tonya Davidson

I will have to read later. The Studio tour starts again in 30 minutes and I am not set up.

Artist's Studio Tour - This weekend and Next

Saturday and Sunday
September 20, 21, 27 & 28.
It is hard getting new posts to the blog when you are trying to finish up work for the upcoming El Dorado County Artist's Studio tour. Not only do I have to make stuff, I get to clean the house and garden area because we are hosting one of the venues at our home.

A PAINTER
We are featuring a painter (also a lamp work bead maker): Patty Jacobs. Her paintings are ethereal and the animals she creates on watercolor paper have great personalities. Here is
GOT PEANUTS?

Patty Jacobs, a native of Northern California, is primarily a self-taught artist, drawing and painting since childhood. Her work focuses on her love of animals and she donates a percentage from the sale of these paintings to animal charities. Patty has shown her work around California and has been commissioned for numerous pet portraits. Her paintings can be found at Taylor's Art and Soul in Sacramento and also at Gold Country Artist's Gallery, where they have been purchased by visitors from various places in the U.S., Scotland, England, Ireland, and Australia.
You just have to see her work. This is just a sample. During the Holidays, she makes Christmas card of these guys and puts a Santa hat on them... Great Sellers.

A POTTER

Chris Navratil has only been potting for just a few years and is a phenom with her work. Her work is innovative, functional and full of great color sense.

I commissioned her for a set of dishes. See left. My mistake was purchasing a pasta bowl in these colors and became obsessed with having a complete set.

Am I a happy camper? You bet. Come to see her in action. She has been bringing her wheel with her these past few years and everyone loves seeing her throw her pots. Come early for she has a great following that come only to see her work.

AND ME

Just finished these yesterday and am really excited about them. They are cuff bracelets made with polymer clay over a brass armature. I then added acrylic paint as detail and then covered the latter with translucent liquid polymer clay for durability.

I have some new metal clay work set up for the show too.

Saturday the 20th starts the two weekend show and it is also the third Saturday art stroll on Main St., in Placerville. So, at the end of day on Saturday I have to run to our gallery and be gracious until 9pm... it is going to be a looooooonnnnnnggggg day.

September Shows

There hasn't been any post recently because I have been frantically creating new metal clay and polymer clay items for two shows.  

Right now I am being featured at the Gold Country Artist's Gallery in Placerville, CA.  So, I needed work for that. Also, this month, we have the Annual El Dorado County Artist's Studio Tour. Now this is interesting, the tour opens on Saturday the 20th for two weekends. That same night I have to run down to the gallery and attend an artist's reception.  Thankfully I am sharing the spotlight with a wonderful mixed media artist, Karen Hunziker. Here is one of her works.

I have been playing, a lot, with my polymer clay using the Able Cane Slicer. I just love the tool. It can be had at polymerclayexpress.com. One can make large canes and cut really large slices... at just about any thickness. I like really thin slices because it makes my canes go farther. Here are a few new works that I just built.

I used Susan Hyde's Faux Fabric technique on these. I call them 'Peruvian cloth'...

In addition to my Artist's Sketchbooks, there is also a covered business card holder and two cross type pens. Later today I am going to cover some wide brass bracelets.  I love this technique.

Also shown are some beads made with this cane and the ACS.  This tool is a must for any polymer clay artist. If you would like to see how it is used in an online tutorial, click here.

But Wait! Before you go.... I have a few samples here of my metal clay work for the shows.

The first is Trapeze Amphora. I have added an 8mm garnet and used fusible argentium sterling silver to hang it on a sterling snake chain.  The next is the second in my series of 'What Attitude?' women. Another amphora. I love that the 'chip on her shoulder' is a gem grade pyrope garnet.  I have been having a lot of fun with these ladies.  Notice the 'neck' tilt?  Is she not having a major 'tude'?

There is a lot more coming from yours truly and I cannot wait to get back into the studio.

Jewel Carnival Blog for August: Studio Tour

It is that time of the month... we are doing a Jewelry Blog Carnival Studio Tour and thought it would be fun for other artists to see our work spaces. So not a lot of words this time. Just images. Being that I just got back from a retreat, and had to put all my clay and tools away, these shots were taken last night at O - dark thirty.

The left is the classroom / fused glass / sales / storage area. I can take 6 students, but I prefer 3 to 4. When I do not have classes it is loaded with my fused glass cutting area, the grinder and glass band saw.

This image is of my private work queendom. My artistic realm. Straight ahead is the metal/goldsmithing area and to the right is my polymer/metal clay work station. It is pretty darn organized. After I got it set up I didn't think that I could find anything. But, to my surprise - it made sense and I can find stuff.

Below is a better view of my main work area. I have my Ipod up top on my right and a mini TV on my left. It is pretty darn cool - I can put in a jewelry VHS tape whenever I want to watch or research a technique I haven't done in ages.

In this image I have been working with my polymer goodies. Inspiration came from our local Clayville-California's Annual PolyPalooza retreat at Zephyr Point on Lake Tahoe in Nevada.

The goldsmithing area is always a mess. I am constantly running over to file, solder, saw or set a stone. Of course I am always in a hurry and don't clean up... except for sorting my metal filings. Here I am waving at the camera. I try to use feng shui in the studio set up. Therefore the mirror. It is bad chi to have your back to the room and not be able to see people approaching you.

It has taken many years and many tries to get the studio/classroom just right ... it is, now for me, my heaven. I have only had ten studios/work areas ... s'bout time I got it right ... don'tcha think?

Take a moment to visit these other Jewel Carnival Bloggers today and check out their studio tours too. Some might be posting later....

Elaine Luther
Marco Fleseri
Angela Crispin (scroll for the English version)
Tamra Gentry
Lora Hart

Kirsten Skiles

Almost there... and Super News!

I am not one to turn down a commission... even when I am packing to go to the Polymer Retreat .... tomorrow!

Here is an image of a small (for me- I went to the big school of art) pendant that has a dancing illusion and that is gently arched down the center. It is embellished with a 1.5mm diamond, a trillion peridot and a fresh water pearl. I call her Peridot Dancing. Click on image for a larger view.

The super news is that after I get to the Hilton Hotel Indian Resort (Chicago) next summer I get to play with polymer buddies at the NPCG's (National Polymer Clay Guild) 2009 Retreat. I offered to do a demonstration of one of my new canes/techniques... we'll see.
But, the best news is that as soon as that retreat is over the MCWC (Metal Clay World Conference) starts... at the same location!!! How great is that?. I get to give a pre-conference workshop on setting stones in metal clay. I will be teaching some of the techniques that are in my book. And then, for the next two or three days, I will be giving a seminar on Bench Tricks for the Metal Clayer. And do I have lots of those.

Now I need to breathe....

No, finish packing.

The Challenges of September.... yikes!

Well, it is that time again. Next month I get to be a featured artist at a great gallery in Placerville. Last month it celebrated it's 16th anniversary. That is pretty darn good. Galleries, in general, tend not to last very long.

So I have been madly making new jewelry. Tripley so, since not only do I need new work for this show, I need to get samples to a Portland, Oregon gallery and prepare for our 22nd annual Artist Studio Tour. The latter is the third and fourth weekend in September and Phil and I are hosting, in our back patio 'gallery', two other artists as well. A painter, a potter and me.

Whew!

In three days I get to go to a fabulous polymer clay retreat at Lake Tahoe in Nevada. Clayville-California's PolyPalooza. I am so stoked I can hardly stand it. I will, hopefully, get a lot of elements made for the September shows. I am giving three demos: how to create shaped tissue blades, unusual lace canes and the Able Cane Slicer(tm). I was honored to be asked, along with Carol Blackburn and Kathleen Dustin, to beta test this new polymer tool.... I am soooo addicted to it. I will post some samples later.

But, for now, I need to make the hand-outs, samples, pack the pc and the clothes.

Clothes?

Better start the washing machine.

Vacation time to dance about...

So, okay, I get Cynthia Tinapple's blog every day. Today she had the greatist utube vidio ..... Really great.

I am posting the link here because it just made my day and I want to tap back into it whenever possible. What is really cool is that I've been to some of these places and it brings back wonderful memories. Such as another place in Ireland, Ross Castle at Lake Kilarney..... below.

We are heading off to Southern Europe this coming November and I hope to post some images when we get back.

Hard Metal History

Every now and then I love to go back and look at my metalsmithing work. Usually it is only in images... most of the work sold. Okay, okay... I kept my favorites. Now that I am not in the corporate/business world, I don't need as much jewelry as before. I can go days in my studio without wearing a bit of baubles ~ or bling.

After eleven + strenuous years as a goldsmith in our gallery I reached a burn out stage. Now all I create with is metal clay, polymer clay, fused glass and graphics.

A Metal clay friend suggested that I join technorati and make connections with my blog. So I need to add some stuff for the connection.
Technorati Profile

So now that this has been done....

The above suite is a multi level work. The base is sterling silver with an oval tubing that supports the 18 karat gold bent metal bezel. The Stones are drusey chrysocholla and I inset diamond set with 14 karat gold bezels. This was a challenge and I enjoyed every minute of it. The pendant has a pin back on it too so I can wear it on a suit lapel or on my neck with a lot of skin.

Must be off to get some organization done in the studio. I am going to donate a lot of stone beads to the M.O.R.E. workshop. I do not do as much beading anymore and I'd like them to go and help the developmentally challenged adults find some more joy in creating.

Jewel Carnival Blog - My favorite Hand Tool

While thinking about today's blog and what tool is my favorite, I thought about the new one that I just made. I was bouncing back and forth between the chasing hammer, the hammer hand piece for my Fordom, small escapement files, plastic sheet roller or the ever wonderful slats by Pam East. Several months ago someone on our metal clay gallery asked about a finger brush. My mind went wild with the possibilities.

So, about a month ago I started buying pieces and parts, making early prototypes and starting all over anew. I spent just about a day thinking about the engineering, the wear ability, the functionality and the look of this item. Two days ago it all came together. I pulled out the brushes I was to decimate, the polymer and the holders and started the process.

That said, I did make prototypes and sold them to my students in June. They were very functional, but not artistic. The reason I hadn't put it out there that I was making them was because I wanted to make sure they held up, looked kinda cool and needed to start the patent process.

Patent process.... hey it was my wonderful husband's idea. He wants to mass produce them. I am not sure about that. I am selling them now for $7.50 plus Shipping and handling. Only have a few made... not sure I want to spend my free time building these things. But.... there is always a need for a new widget.

(click on images for a better view)














You can see that I just got sick and tired of filing the metal clay, putting the file down, picking up my dry brush - then brushing the valuable metal clay sandings off of the work, setting down the dry brush (always facing the wrong way too) and then picking up my file and starting all over again.

I made them one size fits all. After you read the following blogs from our JewelCarnival Bloggers, click here for more information on the FingerBrushes. Patent Pending.

LoraHart
ElaineLuther
Kirsten Skiles
Angela Crispin ---- scroll down for the english version
Tamra Gentry
Chris Parry
Lorrene Davis
Marco Fleseri

New Cane: Victorian Autumn New tool: to be made

So, while I was getting ready for sending some photos and work to this Portland,OR gallery, I got the itch to create a new cane. I love the fall colors of turquoise, adobe and pale sand and decided to use those hues in clay. Instead of just sending images of what I have to the gallery (wouldn't that have been easier?) I was aching to make something new. Do any of you get achy inside when you haven't created lately? Well, I was near to tears, it had been so long. So - okay.....

My husband, Phil, has been after me, no - nagging, to make my large bead neckpieces. Every one I have made to sell has sold. And, well, you know the guys ($$$$). He even offered to make the base round beads for me. Yikes! Can I turn THAT down? No. So, while he was using those great plastic bead making tools I sat down and drew out the cane.

Now, it is one thing to draw the cane and another to make it. Hah. We all know that so well. He must have looked over at me a hundred times and all he saw was moi staring at a sketch. The trooper he is ~ he said not a word. This time I wanted to 'engineer' it. Same size beads (large & small), same size cane slices and, of course, the same size base bead. They came out very close.

I decided that I needed a new tool. I will make one sometime this week. The process I used on this cane worked... fairly well. But, the technique I developed needs a permanent tool to grab at a moments notice.

Oh, and I developed a new tool for metal clay too. That will be on the JewelCarnivalBlog here tomorrow. Up to ten jewelry/metalsmiths blog once a month on a universal theme. Tomorrow's is "my favorite hand tool". We have other blogs here for May and June if you want to scroll down. You can click on a link to see what they have written about on the same topic du jour.

So, back to the neckpiece. I'm gonna have to sell it for a bazillion bucks. Not only did the cane take a bit o'time, but the small polymer beads that give the elements a quilted look took time-ola. Then the small tools I found in my metalsmithing grab bag were perfect for adding very small textures. Oh, my.... this might be the only one I make. Each 'leaf' was hand stamped with a very small ... I mean VERY small phillips screwdriver bit.

But, hey... I am pleased with the results. I have two images. The second is a close up for the texture and to show the clasp and earring. I like to make my large beaded neckpieces without a noticeable clasp. .... that is just me. The beads are somewhat close to a 50 cent piece in diameter.
(Click on right image to enlarge)

Home improvement vs creativity

Yikes!

I am having a tug of war situation. My son is finishing off our back patio and I have work to finish to send off to a Portland, OR gallery for jurying.....

So, yours truly has been out moving my planting station and spending HOURS and HOURS in Home Depot. No one can fathom how jazzed I am at both prospects. This is incredible... I have been bugging my DH for four years now. What I had to do was save my art/teaching money and a small inheritance to pay for the project myself. Do I mind? Nah! It is getting done.

I have been in a polymer phase the past few days, not only because I love it but, I want to send some of it to the Gallery in Portland. I was wearing this polymer DecoBox and one of the staff was impressed enough to get me an application. This is timely too... they only jury in new work four times a year and July is one of them.

So, with everything going on my blogging has suffered....my buddy in N.Y., DebbY has been hinting... love her.

This Friday is our Jewel Carnival time again. I will be writing on my favorite hand tool. Actually it is my newest favorite hand tool.... I developed it myself. So, if anyone is out there, come back on Friday the 11th to see it and read about it.

All things Computer.

Yes, I know I should be in the studio today....yes.

But, I am in a computer mode. Just this morining I subscribed to the blog Polymer Clay Daily and hope to recieve any new postings automatically. I don't always remember to go to the site and read what has been published. Now.... I don't have to. It will come to me.

So, I did some research and found that feedburner will do the same for my blog. If you would like to check in on my journal, and read my sporadic ramblings, then click on the subscribe button to the left.

Today's photo (click to enlarge) is in my newest glass series. It is opalescent frits, silver and black glass fused together. Then I will use my metal clay to create an artful pendant. This is a work in process.

I guess I should get to work.....

Wednesday Procrastination.

The glass is fired, ground and fire polished. What is keeping me back?

Just getting in and starting, I guess. That is what I'll do when the blog is done. This procrastination is not for lack of ideas.... I think that I've kept up such a super fast stream of life since 'retirement'. My body and soul wants me to slow down. I have been reading a lot and I love it. Now, I am getting closer to the quarterly deadline of submitting work to a Portland, OR gallery I want to get into.

What is that Nike saying, "Just do it!"?

My problem is probably stemming from a 'deadline'.... We had that every day with our gallery and I am balking at the very thought of it.

Enough of this self-pandering... I am off to the studio. I will post later.

Here is an image I took of a Tehachapie morning outside the cabin
at a Klew Polymer Clay retreat.

Hmm... feels good.

It's THAT time again.... Jewel Carnival Blog

Okay... it is Friday the 20th and the topic for this group blog is, " What is My Favorite Jewelry Book?".. Yikes, there are so many.

When I was at the Revere Academy, I bought every repair book, stone setting book, fabrication book I could get my hands on. When I finally put out the $100.00 (now it is way more) for Oppi Untrachts book, Jewelry Concepts and Technology, I knew that I had found the ultimate book.


Click image for amazon books and get this item at a reduced price.
A lovely review by Rich Waugh on this book starts out with:

"...Oppi Untracht was a Fulbright Scholar in both India and Nepal from 1957 to 1959 and 1963 to 1965 respectively, and during those stays he visited many metalsmiths, studied their art and took copious photographs of their work. Much of what he learned in India and Nepal is included in this book, including filigree, enameling (his forté), niello, bidri, kuftgari and others. The majority of the illustrations for this volume appear to originate with Untracht’s eastern sojourns, and the scenes of craftsmen producing magnificent works using the most primitive of techniques and tools are truly fascinating..."

I love this book because of the techniques he shares from all over the world.... yes, this is true. But the main passion that comes through to me is the Art Forms, the unique samples of break through artist's work that is astounding. We as jewelry artists, in the 21st century, believe that we are stretching the boundaries of the medium, that we are creating such new and exciting work that the world has never seen.

Bah! We are all using techniques that have been around for 3000 plus years. The materials may change, the tricks may change but the process is all following those before us. If you think I am mad, get a copy and look at the outrageous works using: resin, copper, plastic and more.

There are 807 readable pages in this huge tome of incredible information. Go to a library, a metalsmith's book stash and just browse... have a cup of tea and some time and you'll know what I mean.
Visit these other bloggers to find out what their favorite metalsmithing book is/are:

Angela Crispin (scroll for the English version)
Tamara Gentry
Lora Hart
Elaine Luther

When other things get in the way...

Yup.... stuff happens.

I haven't touched my art for Three Weeks!!!!! Yikes! But, sometimes other things have to be done. Like clean the house, go away for a week, build a closet.

Build a closet? Well, Phil built it. He did a great job. But, now I have been going through clothes trying to decide which to throw away, what to give to Hospice, what to put in a bin for when I lose enough weight to WEAR THEM AGAIN, and which to hang up in my pretty new closet. I got to help paint it and put up thin cedar sheets. But my honey did a fabulous job.

Our son is coming home to stay for a month or year and we have needed space for me for ages and he needs space for his stuff too. I have been tutoring him on computerese... he has never had a computer. Amazing.

Today I am finishing up the clothes thing-y and then going out to the studio to finish up the glass/metal clay charms I am making for the Metal Clay Charity. See my blog of March 18.
In the mean time I am totally enjoying him being here... Oh, and his son, Ben, came down from Oregon too. So we have four peeps in our small home.... a real challenge. But, it is working.

Our son-in-law, Gram, seems to be holding his own and barreling head on into his cancer... if you have a chance check out his CaringBridge site.

Well, time to get to work and finish up the clothes.....

It has been a while....

So, when life slaps you in the face you don't necessarily want to blog. Besides with a family event that just took place, I have been blogging in another way.

Friday May 23 we got the news that my dear son-in-law, Gram, has pancreatic cancer. So the last week was filled with getting information to him, setting up a CaringBridge website for him and joining them last Thursday at a chemotherapy class.

Needless to say, I wasn't in an artistic writing mood.

The good news is that he is a fighter and is in relatively good health. All his blood work came back in the normal range and his family doc said that he didn't look like a man with stage 4 cancer. Also, the chemo class gave us great hope. He is a fantastic guy who has loved, cared for and spoiled my daughter .... big time.

Yesterday I took a bit of time to start my charms for the Charms for Charity event coming up. (See my March 15Th blog.) I am making them of pure silver and fused glass. Hope that the group likes them. So, the artfulness is slowly coming back and it feels good.

Kind of like therapy.

Jewel Carnival.... What do you do to jump start your creativity?

What do you do to jump start or stretch your creativity? Our Jewel Carnival group has nailed it with this one. One of the most difficult tasks to engage in is getting design ideas. I think I will pretend this blog is one of my workshops and share how I help them. How to keep original and in fashion at the same time. How to find their own voice and how to begin to shout out their art soul. This is for you.


When I teach a metal clay or a polymer clay workshop, I tell you the student, to do the basics: make tons of sketches. Don't erase! Use tracing paper over a design you 'kind' of like to make changes and to improve it. Also, buy a fashion magazine once or twice a year. If the in-thing is big jewelry, for example, don't put a lot of time into small bling. Of course, this is if you want to sell your work to enable you to buy more materials. Well, duh? Anyway.... if you have a following, then stay true to your creativity but do stretch and try new styles and materials.




Okay, that said. What if you don't know where to start and don't want to come even faintly close to copying another artists style. You will always be at an advantage if you take workshops and become a workshop-aholic. Your artistic scope will be incredible and the ideas will not stop flowing through you. BUT if you are new at this, and have no idea where to start, why not try my Michael's technique.

Go into any craft store such as Michael's, Hobby Lobby, Joanne's or even a hardware store. Grab a cart and give yourself a minimum of two hours to 'wander'. Go up and down every aisle and look at EVERYTHING! Say to yourself, "Now, what can I do with this? With That? Oh... that is cool what if I......". This will take you out of yourself and start the process of unlimited creativity. For example. I found a great textured paper in the scrapbooking section. Took it to the studio, covered both sides with Kato Liquid Polyclay and baked it. Now I have this terrific texture to use with both the mc and pc (metal clay - polymer clay). Clay cutters can be found in the baking section... which leads you to the online cook stores or paper goods..... on and on.


This can be any store: brick and mortar or online. I have found many new tricks, techniques and design ideas in online stores.


The reason for the two hour time? This process cannot be rushed. Creativity cannot be rushed. How else can you find the bliss of being a maker of art without time. Easy time. Cool time. Time alone to flow without the pressure of every day stuff. Believe me this is good. This process is meditative and by doing it you will find the world will go away and you will have become energized by the process.

Oh, and keep your camera with you, you never know when you will be inspired by a landscape, face or a shadow.

And don't spend too, Too, TOO much time looking at other's work. You can be unduly influenced or your self-esteem may suffer. Do look at other's eye-candy and tell them you adore their work. Then go out and make your own.

Hey, look at nature, clouds, trees, color wheels.... see the texture in hair, picture frames, fake leaves, rugs, your pets coating or tree bark.... look at the lines and joins of bridges, buildings and school yard gyms. Watch the movement of fractles, jazz dancers and the human body. Play with off-the-wall ideas you see in everyday stuff. Play, play, play.


Whew... off the soapbox..... for now.

Now....
If you'd like to read more on this subject. Go to the following Jewel Carnival blogs (great artist's) and scroll down to the May 16 entries.... and read and absorb. I missed the 16th deadline because I was out of town.

Kirsten Skiles
Marco Fleseri
Angela Crispin (scroll for the English version)
Sherri Haab
Tamara Gentry
Lora Hart
Chris Parry
Lora Hart

It's About Time.....

Sheesh! All I have to do is go on a vacation and I forget how to get into my blog to write. I haven't been remiss.... just kinda 'blond'.

Anywaysssss.... We went to Portland, Oregon on the Starlight Amtrak train and had such a good time. I got indoctrinated into the McMenamins Hotels and Inns. What a very cool thing they are doing. Refurbishing old dilapidated buildings, hiring full time artists to paint images on the walls that relate to the buildings history and having very fun events.

We went to the 9Th Annual UFO Festival. My hubby is into that. Well, when we were leaving the hotel, Phil tried to get reservations for next year. No dice - sold out. There was a very interesting speaker on Friday night and another on Saturday morning. Then on Saturday afternoon they had the annual Alien Parade. Oh, if I get some pictures I will post. This was the most fun. Then on Saturday night there was the Alien Costume ball. Visualize.... Talk about artful people. The McMenamins hotel we stayed at is the Hotel Oregon in the quaint village of McMinnville. I want to move there. Now. We also checked out the Edgefield Manor (an old poorhouse) and the Grand Lodge, an old Masonic lodge.

We went to a great gallery in Portland and I am going to see if I can get in. It is the Real Mother Goose Gallery. Very nice. Only one metal clay artist and no polymer clay jewelry. So, hope I have a chance.

It has been paperwork galore since we got home.

Well it is getting onto dinner time and when I am hungry -I cook.
Heh, heh.

Good news, Great news, Wonderful News!

One of the main reasons I came to the Bay Area on Sunday was to have a few days visiting with my sweet sister. I hadn't come down her way for two years... She was recently diagnosed with breast cancer and while I was helping her with her new blog yesterday, her surgeon called with the news that they had got it all.

GOT IT ALLLLLLLLLLLLLL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Wow, didn't know I was holding my breath this long. By the way, she really likes the 'Sisters' pendant I gave her. See images below.

Okay, this is my third trip to visit her. Don't 'cha think she needs to come up my way for a few days?

Grin.

SISTERS

I am so lucky to have an incredible, loving and 'Wind Beneath My Wings' Sister. I am in the San Francisco Bay Area for a several day visit. She is the best ever. We get together for a few days every couple of years ~ so this time I wanted to make "Two-of-a-kind" pendants. The thing I learned from this project was that, even though I made them at the same time, using the same glass, the work turned out slightly different.... just like us. The fused glass is a wonderful medium with which to work. I turned two pieces of Dichroic glass differently on the work and got a surprise.... Same but different. I ground the pieces a bit uniquely too. Not too far off... but the same. The pure silver metal clay was a great exercise.

I use Art Clay Silver, I am a Master Instructor, and learned that if you photocopy your 'stones' by increasing the size by 115%, take the images and make the metal clay 'settings' the photocopy size, you will have a perfect setting after firing. I fired these pieces up to my kiln's fire polishing temperature. This way the metal would not shrink further and damage the fused glass.

Then I tossed them into the vibrating tumbler and gave them a bit of a burnishing with the stainless steel shot.

Then I set the stones into the MC... actually they 'snapped' into place. The math worked!!! The fused glass was a perfect fit. Next I fire polished.
This process got the glass 'warm' enough to marry into the metal clay. Therefore there was no 'chemical bonding' or the use of a 'jewelers setting agent' to hold the glass into place.

Another plus was that I had extruded several bails for future use and they were at the ready when I needed them for this project. I used the Makin's Clay extruder with their hollow core adaptors. I use this a lot for my bails and the sterling snake chains just glide through.... I am liking to leave the backs open on my glass work - just because I like to sign the glass in addition to the silver.
Click on images to enlarge.
Before I left the foothills of the Sierras to come and visit, I made an experiment with different sizes of a Red Opal frit. I liked how the glass turned out and then tried another way of setting the metal clay on it. It has been fired and I will burnish it when I get home an do another blog post at that time.

I love teaching too. Had a certification workshop last weekend and have two more classes this coming weekend.

Art IS bliss....